This dark, feral concept of the prince of darkness — the foul-smelling, putrescent incarnation of death, literally rotting and bringing with it vermin, plague and pestilence — is the bedrock of Robert Eggers’ very modern update.

With the reverential early-horror tribute that is “Nosferatu,” Robert Eggers has crafted more than just a remake, but somehow less than a fully satisfying filmgoing experience. Visually striking as it is,

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